Lew Jetton & 61 South Press Kit (Click Here)
Here's some Press & Reviews....
Blues
Revue Magazine:
Lew
Jetton & 61 South blur the line between straight-ahead blues and Southern
Rock ( "Two Lane Road," "I Been Cheated"). Jetton's husky vocals
front a terrific rhythm section (Greg Walker on bass and Erik Eicholtz
on drums), and his guitar shares space with Sam Moore's and with Dan Bell's
organ. Guest Bob Lohr's piano fills out "Cadillac Gal" and "Nighttime
Into Day," a romantic R&B ballad boosted by Terry Mike Jeffrey's sax.
They visit the roadhouse on "Cause You Lie To Me" (a rocking adaptation
of Tampa Red and Albert King's "I Get Evil," boogie hard on "The Trouble,"
and lay down a jazzy shuffle on "Come Out Baby." Potential standards include
"Tattoo Blues," and "Waffle House Woman." Thumbs up for Tales From
A 2 Lane (self release).
Real
Blues Magazine:
"
a Southern drawl singin' voice that's straight 'ol blues and the guitar
work drips with Dixie blues-rock flavour, but with a touch of Chicago.
61 South has a harmonica player that I swear is the reincarnation (in style
at least) of Slim Harpo and he plays like no one else on the blues
scene today.... Straight authentic Southern style blues in all its down-home
glory....too damn good to be a local secret. and 61 South should
be on festival stages all over the U.S. showing how real Southern Blues
should sound at it's best.....This CD is one of those rare ones that make
it all worthwhile. To discover a disc this entertaining and rewarding
gives one a great boost of adrenaline and motivation..... Hopefully,
this release will be the first of many and 61 South will become household
names amongst blues fans who love the REAL THING. 5 bottles for a
thoroughly entertaining debut release. Southern-fried and tasty....more
please!"
Nightlife:
"
the real deal-- a passionate singer with a riveting voice and a strong,
original guitar tone... magnificent playing consistently increases in ferocity,
even when it seems as if it's past the breaking point...The explosive conviction
of the singing carries a long way here, and so does the feel for
the blues as an art form."
Blues
Revue:
(State
Line Blues CD) "Show Me" echoes "Honest I Do." "Hushpuppies" is fine
rocking blues, "State Line Blues"a mid-temp eight bar shuffle-stroll. "Homegrown
Tomato" with strong harp and B-3 solos, has a country edge. "Bad
Boy" and killer original "Heavy Weather" reveal an Omar Dykes quality,
with the band effectively hybridizing The Howlers and The Allman Brothers."
Blues
News:
"straight
ahead blues-rock with a nice mix of up-tempo and slow tunes. All of the
original tunes are
well
written.... a strong vocalist in the Greg Allman/Dru Lombar (Dr. Hector)
blues rock style..I thoroughly recommend State Lines Blues....Top-notch
songwriting backed by soulful vocals and good playing make this CD
worth buying."
Blues
On Stage:
"The
writing is very good, standing up to "blues standards" well.....Several
of the tunes feature vicious guitar runs.......The music is a mix of hard-driving
blues and slower tunes with a touch of soul... vocals are strong, his voice
sometimes sounding a bit like Gregg Allman with a deeper voice or
like that of Darius Rucker of Hootie and the Blowfish with a raspy voice."
Music
City Bluesletter:
(State Line Blues CD) " a distinctive voice and muscular guitar work
dominate the band's sound, with some impressively understated work on the
B-3, and some slick harp licks But no band shines without good
material, and the writing is part of what's special about the album. In
the driving opening cut about ending a marriage, with all the powerful
emotions involved: "I'll always curse the day I gave you my good name,
I'll love you til the end of time, but that day it finally came."
One of the album's best tunes and perhaps the highlight of the album,
"What's Wrong," asks that simplest of questions that usually has a much
less than simple answer. It features a slow burning guitar behind
the pleading vocal, which from its tone, tells you he knows the unpleasant
answer before he asks. Another favorite, "Show Me," has a swampy
feel and features an intriguing interplay between the harp, B-3,
and guitar.
Another highlight cut, the title song includes one of the album's best
lines - "It's a state of mind, it's a state of mine, on the state line."
Again, they play well off each other, and offers up perhaps the best
vocal, "standing on the state line in the middle of the road."
They just may have a thing for food, with songs about homegrown tomatoes
and hushpuppies. Or just possibly, these tunes are talking about
something else entirely. Both are a lot of fun. Subject matter
from a weatherman sneaks in, too, with the soulful "Getting Colder" and
the rollicking closer, "Heavy Weather." Even the covers are well
chosen. The irresistible high energy of Hip Linkchain's "House Cat
Blues" and the EddieTaylor classic "Bad Boy" mesh well with the material.
State Line Blues leaves you with a good vibe, feeling like you've just
met someone who you'd like to know better, and who's probably going to
become a good friend. Check it out."
"La
Hora del Blues":Here
comes a powerful contemporary rock-blues band who play on a very effective
solid way. . They have practically travelled round middle west states,
performing in lots of clubs and festivals that take place in that part
of the USA. Personally I have been pleasently surprised by thir personal
way they have of approaching to the blues, because they cleverly play it
showing that they really feel what they are playing. The vocal conviction
together with the guitar playing give to this band an impressing
strength and dramatism that few blues bands can reach. GREAT !
Delta
Snake Daily Blues:
"From
the opening notes of this compact disc, it's obvious these guys mean business....
This band does things their way, and though influences come to mind, it
comes out as 61 South.....the writing throughout this CD is solid.....
Jetton proves to be a good songwriter mixing things up well, and the backing
from the rest of the band is suited to what they do. Plenty of room is
afforded for each individual's talents, and musically, they are excellent."
News
4 U:
"The group's music has a groovin' kinda-southern-rockish blues sound with
a driving beat....The vocals are backed by a strong fast beat while the
guitars answer the lyrics, and an organ sound pumps in the background.
It spells HOT. The album is full of good original cuts and two standards:
“Bad Boy” and “House Cat”


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